JANTA VARISAI
The great composer Purandara Dasa, hailed as the Father of Carnatic music, created a set of fundamental exercises nearly 500 years ago, which are followed even today. There are 4 main types of varisais.
- melsthayi varisai
It is important to first practice sarali varisai before the janta varisai. Janta varisai are the second lessons, which involve double and triples of a single swara. These should be sung with force and emphasis from the first note to the second: sa sa ri ri ga ga ma ma ... The use of one plain note followed by a forceful one is a type of gamaka called spuritam. Practice emphasizing the second note and avoid singing both notes in a plain manner. When you have two notes, emphasize the second. When there are triples of notes (s s s) emphasize the second note as well. When you have mastered this, learn to sing the lesson in four speeds, with taalam. Finally, sing all the notes in akaaram, singing only aaa...
DIFFERENCE BETWEEN SARALI VARISAI AND JANTA VARISAI
The notes that are sung once in Sarali Varisai are repeated twice. In Janta varisai, a swara will be repeated 2 times, wherein the second swara will be stressed. This enables the student to sing or play an instrument, the same swara twice on the same place, with perfect swarasthana.
HOW MANY JANTA VARISAI ARE THERE ?
Janta Varisai involve double and triples of a single swaram. These should be sung with slight force on the second swaram. Sing all the 12 varisais in 1st, 2nd and 3rd speed for practice.
Raga: Mayamalavagowla (15th Melakartha Ragam)
Arohana: S R1 G3 M1 P D1 N3 S
Avarohana: S N3 D1 P M1 G3 R1 S
Talam : Adi
1. Basic ascent/descent with Janta
s s r r | g g | m m ||
p p d d | n n | S S ||
2. Janta Emphasis (starting and ending) at each of the seven notes
s s r r | g g | m m ||
r r g g | m m | p p ||
g g m m | p p | d d ||
m m p p | d d | n n ||
p p d d | n n | S S ||
S S n n | d d | p p ||
n n d d | p p | m m ||
d d p p | m m | g g ||
p p m m | g g | r r ||
m m g g | r r | s s ||
3. Zigzag Pattern, but in Janta
s s r r | g g | r r ||
s s r r | g g | m m ||
r r g g | m m | g g ||
r r g g | m m | p p ||
g g m m | p p | m m ||
g g m m | p p | d d ||
m m p p | d d | p p ||
m m p p | d d | n n ||
p p d d | n n | d d ||
p p d d | n n | S S ||
S S n n | d d | n n ||
S S n n | d d | p p ||
n n d d | p p | d d ||
n n d d | p p | m m ||
d d p p | m m | p p ||
d d p p | m m | g g ||
p p m m | g g | m m ||
p p m m | g g | r r ||
m m g g | r r | g g ||
m m g g | r r | s s ||
4. Janta with single notes and pattern repeated
s s r - s | s r | s r ||
s s r r | g g | m m ||
r r g - r | r g | r g ||
r r g g | m m | p p ||
g g m - g | g m | g m ||
g g m m | p p | d d ||
m m p - m | m p | m p ||
m m p p | d d | n n ||
p p d - p | p d | p d ||
p p d d | n n | S S ||
S S n - S | S n | S n ||
S S n n | d d | p p ||
n n d - n | n d | n d ||
n n d d | p p | m m ||
d d p - d | d p | d p ||
d d p p | m m | g g ||
p p m - p | p m | p m ||
p p m m | g g | r r ||
m m g - m | m g | m g ||
m m g g | r r | s s ||
5. Janta with single notes and pattern repeated
s s r r | g - s | r g ||
s s r r | g g | m m ||
r r g g | m - r | g m ||
r r g g | m m | p p ||
g g m m | p - g | m p ||
g g m m | p p | d d ||
m m p p | d - m | p d ||
m m p p | d d | n n ||
p p d d | n - p | d n ||
p p d d | n n | S S ||
S S n n | d - S | n d ||
S S n n | d d | p p ||
n n d d | p - n | d p ||
n n d d | p p | m m ||
d d p p | m - d | p m ||
d d p p | m m | g g ||
p p m m | g - p | m g ||
p p m m | g g | r r ||
m m g g | r - m | g r ||
m m g g | r r | s s ||
6. Janta with dheergams interspersed and pattern repeated
s s , r | r , | g g ||
s s r r | g g | m m ||
r r , g | g , | m m ||
r r g g | m m | p p ||
g g , m | m , | p p ||
g g m m | p p | d d ||
m m , p | p , | d d ||
m m p p | d d | n n ||
p p , d | d , | n n ||
p p d d | n n | S S ||
S S , n | n , | d d ||
S S n n | d d | p p ||
n n , d | d , | p p ||
n n d d | p p | m m ||
d d , p | p , | m m ||
d d p p | m m | g g ||
p p , m | m , | g g ||
p p m m | g g | r r ||
m m , g | g , | r r ||
m m g g | r r | s s ||
7. Janta with dheergams interspersed in a slightly different pattern and pattern repeated
s , s r | , r | g g ||
s s r r | g g | m m ||
r , r g | , g | m m ||
r r g g | m m | p p ||
g , g m | , m | p p ||
g g m m | p p | d d ||
m , m p | , p | d d ||
m m p p | d d | n n ||
p , p d | , d | n n ||
p p d d | n n | S S ||
S , S n | , n | d d ||
S S n n | d d | p p ||
n , n d | , d | p p ||
n n d d | p p | m m ||
d , d p | , p | m m ||
d d p p | m m | g g ||
p , p m | , m | g g | |
p p m m | g g | r r ||
m , m g | , g | r r ||
m m g g | r r | s s ||
8. Triple Janta and Pattern Repeated
s s s r | r r | g g ||
s s r r | g g | m m ||
r r r g | g g | m m ||
r r g g | m m | p p ||
g g g m | m m | p p ||
g g m m | p p | d d ||
m m m p | p p | d d ||
m m p p | d d | n n ||
p p p d | d d | n n ||
p p d d | n n | S S ||
S S S n | n n | d d ||
S S n n | d d | p p ||
n n n d | d d | p p ||
n n d d | p p | m m ||
d d d p | p p | m m ||
d d p p | m m | g g ||
p p p m | m m | g g ||
p p m m | g g | r r ||
m m m g | g g | r r ||
m m g g | r r | s s ||
9. One line has dheergams followed by janta pattern. Dheergams at the first and third notes of the pattern
s , r g | , - s | r g ||
s s r r | g g | m m ||
r , g m | , - r | g m ||
r r g g | m m | p p ||
g , m p | , - g | m p ||
g g m m | p p | d d ||
m , p d | , - m | p d ||
m m p p | d d | n n ||
p , d n | , - p | d n ||
p p d d | n n | S S ||
S , n d | , - S | n d ||
S S n n | d d | p p||
n , d p | , - n | d p ||
n n d d | p p | m m ||
d , p m | , - d | p m ||
d d p p | m m | g g ||
p , m g | , - p | m g ||
p p m m | g g | r r ||
m , g r | , - m | g r ||
m m g g | r r | s s ||
10. One line has dheergams followed by janta pattern. dheergams at the second and third notes of the pattern
s r , g | , - s | r g ||
s s r r | g g | m m ||
r g , m | , - r | g m ||
r r g g | m m | p p ||
g m , p | , - g | m p ||
g g m m | p p | d d ||
m p , d | , - m | p d ||
m m p p | d d | n n ||
p d , n | , - p | d n ||
p p d d | n n | S S ||
S n , d | , - S | n d ||
S S n n | d d | p p ||
n d , p | , - n | d p ||
n n d d | p p | m m ||
d p , m | , - d | p m ||
d d p p | m m | g g ||
p m , g | , - p | m g ||
p p m m | g g | r r ||
m g , r | , - m | g r ||
m m g g | r r | s s ||
11. One line has dheergams followed by janta pattern. Dheergams ate the first and second notes of the pattern.
s , r , | g - s | r g ||
s s r r | g g | m m ||
r , g , | m - r | g m ||
r r g g | m m | p p ||
g , m , | p - g | m p ||
g g m m | p p | d d ||
m , p , | d - m | p d ||
m m | p p | d d | n n ||
p , d , | n - p | d n ||
p p d d | n n | S S ||
S , n , | d - S | n d ||
S S n n | d d | p p ||
n , d , | p - n | d p ||
n n d d | p p | m m ||
d , p , | m - d | p m ||
d d p p | m m | g g ||
p , m , | g - p | m g ||
p p m m | g g | r r ||
m , g , | r - m | g r ||
m m g g | r r | s s ||
12. Janta with dhatu-style jumps and zig-zag followed by janta pattern
s s m m | g g | r r ||
s s r r | g g | m m ||
r r p p | m m | g g ||
r r g g | m m | p p ||
g g d d | p p | m m ||
g g m m | p p | d d ||
m m n n | d d | p p ||
m m p p | d d | n n ||
p p S S | n n | d d ||
p p d d | n n | S S ||
S S p p | d d | n n ||
S S n n | d d | p p ||
n n m m | p p | d d ||
n n d d | p p | m m ||
d d g g | m m | p p ||
d d p p | m m | g g ||
p p r r | g g | m m ||
p p m m | g g | r r ||
m m s s | r r | g g ||
m m g g | r r | s s ||
Posts
15 Comments
A criminal defence lawyer in Fairfax, VA is essential to the administration of justice because they make sure that those who are accused of crimes are treated fairly by the law. These legal experts negotiate the complexities of the legal system on behalf of their clients because they have a thorough awareness of local court procedures, state and federal statutes, and both.Abogado Defensa Criminal en Fairfax VA
ReplyDeleteTraffic infractions in Arlington, Virginia, can easily develop into intricate legal issues with possibly dire repercussions. An experienced traffic lawyer provides knowledge and assistance to people facing a range of traffic-related offences, acting as a crucial guide through the complexities of traffic law.traffic attorney arlington va
ReplyDeleteLearning the Janta Varisai is a foundational step in mastering Carnatic music, as it helps build essential skills in swara (note) control and rhythm. This practice not only strengthens your vocal agility and precision but also deepens your understanding of ragas and their nuances. Whether you're a beginner or revisiting the basics, dedicating time to Janta Varisai will significantly enhance your musical journey, paving the way for more complex compositions and performances. Keep practicing, and you'll see remarkable improvements in your musicality and confidence!
ReplyDeleteAbogado Defensor Violencia Domestica Nueva Jersey
This article is a great resource for anyone serious about mastering Carnatic music basics.
ReplyDeleteLooking for an accident lawyer in chesapeake virginia? Our expert legal team specializes in representing clients injured in accidents. We provide compassionate guidance and aggressive advocacy to help you pursue the compensation you deserve. Contact us today for a consultation.
That's an excellent blog. I Learned a lot of information about this site. IF you have any legall problem visit our page. abogado tráfico rockbridge virginia
ReplyDeleteJanta Varisai is a foundational exercise in Carnatic music, helping students master the basics of rhythm, pitch, and swara (notes). This practice strengthens vocal control and prepares learners for more complex compositions. Essential for beginners, Janta Varisai lays the groundwork for a deep understanding of Carnatic music's rich traditions.
ReplyDeletetruck accident lawyer maryland
Janta Varisai Learn Carnatic is a foundational course focused on mastering the Janta Varisai exercises in Carnatic music. These essential vocal drills help students develop control, accuracy, and rhythm. Perfect for beginners, the course offers step-by-step guidance, paving the way for further exploration of Carnatic musical traditions.uncontested divorce attorneys in virginia beach
ReplyDeleteI really like your post. Thanks for the sharing valuable information.
ReplyDeletedc drug lawyer
"Janta Varisai is such a fantastic resource for anyone looking to learn Carnatic music! The step-by-step approach makes it easy to follow, and it's perfect for beginners to get a strong foundation. The practice exercises are so helpful for mastering the basics. Highly recommended!" divorce center new york ny
ReplyDeleteJanta Varisai is a fundamental exercise in Carnatic music that teaches beginners control over voice and rhythm. It involves practicing pairs of notes to develop accuracy, speed, and breath control. Essential for building a strong musical foundation, Janta Varisai is typically taught after mastering Sarali Varisai exercises.
ReplyDeleteDui Lawyer Stafford VA
A fundamental practice in Carnatic music, Janta Varisai aids students in learning the fundamentals of rhythm, pitch, and swara (notes). This exercise improves voice control and gets students ready for increasingly difficult pieces. Janta Varisai is a must-read for novices since it provides the foundation for a thorough comprehension of the varied traditions of Carnatic music.fedex truck accident lawyer
ReplyDeleteJanta Varisai is a foundational exercise in Carnatic music, emphasizing note repetition to develop swara precision, voice control, and rhythm. Ideal for beginners, it builds a strong base for advanced lessons. Practicing Janta Varisai enhances vocal strength, pitch accuracy, and prepares students for complex Carnatic compositions and ragas.
ReplyDeleteDui Lawyer Bland VA
Janta Varisai Learn Carnatic is an essential course centered around dominating the Janta Varisai practices in Carnatic music. These fundamental vocal drills assist understudies with creating control, exactness, and musicality. Ideal for amateurs, the course offers bit by bit direction, preparing for additional investigation of Carnatic melodic practices. domestic violence attorney maryland
ReplyDeleteIn Carnatic music, Janta Varisai is a fundamental exercise that teaches pupils to learn swaras, or musical notes, and their transitions. In Carnatic vocal or instrumental training, it comes after the fundamental Sarali Varisai exercises. The goal of Janta Varisai is to assist students improve their voice modulation, strength, and precision by having them sing or play swaras in pairs. Clarity, steadiness, and note-control while preserving rhythm (talam) are the main focus of the exercises.prostitution ring bust
ReplyDeleteJanta Varisai is an essential set of exercises in Carnatic music, focusing on simple yet structured patterns to improve vocal or instrumental skills. These exercises help beginners develop control over rhythm, pitch, and articulation. Learning Janta Varisai enhances one's understanding of ragas and prepares students for more advanced compositions.
ReplyDeleteCan You Get a Dui Expunged in Virginia Fairfax